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Various
Reviews & Profiles of
Bowen McCauley Dance
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| This round of four clever dance pieces that couldn't have been more different from each other began with "Amygdala". That title refers to the part of the brain that gives rise to emotions, especially fear. Seven protagonists shrouded in a sort of prehistoric repitilian sheath with a horned cap, exhibited their primitive and wild origins by displaying force, aggression and fear but also the sex drive and lustful wooing. These emotions were made manifest with very expressive dance - one could almost touch these feelings.
Read More here: Aachener Zeitung, March, 2006
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| Most choreographers repeat themselves when a program has five of their pieces, but not Lucy Bowen McCauley. This was her annual big show, and she offered diversity: a symphonic ballet, an expressionist solo, a romantic duet, a comic romp and something elselet's call it a power surge. Three of the worksthe solo, the duet and the power surgewere premieres. The last, titled "Telemetry", had a cast of seven on-stage performers and was made to the live, ultra intensity playing of the band Tone. Ms. McCauley came up with movement that had a force, tension, and impact equal to that of the sound generated by the 8 electro-instrumentalists in the orchestra pit.
Read More here: the danceview times, November, 2004
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| Yet even with one’s head feeling thick from the pounding, the dancing was electrifying. Bowen McCauley let her hair down, dipped into her unconscious and pulled out surprise after surprise. This stylish, in-your-face work is like looking into Cinderella’s dark side or Peter Rabbit’s sex life. Bowen McCauley Dance is ... the area’s premier dance company.
Read More here: The Washington Post, November 5, 2004
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Older Reviews
Washington
Post, October 1, 1999 (Preview)
Washington
Post, April 12, 1999
Washington
Post, April 8, 1999
Washington.sidewalk.com,
March 1998
Dance
International Magazine, Fall, 1997
The
Review, October, 1997
Washington
Post, September 22, 1997
Washington
Post, June 30, 1997
Washington
Post, May 20, 1997
Washington
Post, March 24, 1997
Dance
Magazine, October 1996
Washington
Post, August 12, 1996
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